marbling or EBRU art @ vOICE OF aRt

One of the things that the Turkish group present on the intercultural event , part of the youth exchange Voice of art was interesting technique of playing with colors and inserting the mixed color on different materials.
The first time I saw the same technique in live on the Balkan Youth Festival in Bulgaria, few years ago as part of the street art program. They make for all of us, participants in the program, scarfs every one of them with a different design.

This time the group from Turkey show us video in which the artist apply the color on paper. I saw this video while ago, I like it and I decide to share it :)



This technic is famous as.TURKISH MARBLING or EBRU art ..Marbled paper, called ebru in Turkish, was used extensively in the binding of books and within the calligraphic panels in Turkey.

The existing word ebre in Eastern Turkish, meaning variegated, points to the fact that marbling might have been known by the populations of Central Asia. Its origin might ultimately hark back to China, where a document from the T'ang dynasty (618-907) mentions a process of coloring paper on water with five hues. In the early examples from the 16th c. in the Ottoman-Turkish era, ebru appears in the battal (stone) form, namely without any manipulation. Interestingly, several variations developed in time, giving us types such as gelgit, tarakli, hatip, bülbül yuvasi, çiçekli (respectively come-and-go, combed, preacher, nightingale's nest, flowered, etc.) An attempt has been made here to show some of its principal patterns, with samples by the master marblers of this century chosen from our collection.

Ebru technique consists of sprinkling colours containing a few drops of ox-gall on to the surface of the bath sized with kitre (gum tragacanth) in a trough. By carefully laying the paper over the bath, the floating picture on top of it is readily transferred to the paper; thus, each ebru is a one of a kind print. To obtain beautiful ebru results, one needs to have a light hand, refined taste, and an open mind to the unexpected patterns forming on the water. Patience and a good knowledge of traditional culture are characteristic of ebru masters.



After the 1550's, booklovers in Europe prized ebru, which came to be known as ‘Turkish papers’. Many specimens in their collections and in the several album amicorum books are visible today in various museums. Also, early texts dealing with ebru, such as “Discourse on decorating paper in the Turkish manner”, published in 1664 by Athanasius Kircher in Rome, helped to disseminate the knowledge of this kind of marbling art. There is agreement amongst scholars that the so-called Turkish Papers played a colorful influence on the book arts in Europe.